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How Could Art Reflect on Trauma?
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Seminars and Colloquia
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Katherine YoungerLia Dostlieva
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Humanity and Catastrophe
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Panels and Discussions
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Katherine YoungerSerhii PlokhiiSofiya DyakPhilippe Sands
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Series: Panels and Discussions
How do we make sense of the destruction of the 20th century? In East West Street, Philippe Sands set out to understand the role law played in processing the horrors of the Holocaust by tracing the lives of three lawyers involved in the development of “genocide” and “crimes against humanity”: two studied law in post-WWI and interwar Lemberg/Lwów/Lviv, and were Polish Jews, and the third was a defendant at Nuremberg who they prosecuted. Sands highlights the entanglement of personal biographies, political contexts, and intellectual genealogies and their echoes in the international response to Nazi crimes. The relationship between the individual and the group, and catastrophe, is also at the heart of Serhii Plokhii’s Chernobyl, which elucidates the environmental and human consequences of a dual systems failure: political as well as scientific. He shows how individual scientists and bureaucrats worked within, perpetuated, and grappled with a fatally flawed Soviet institutional structure – and how the Chernobyl meltdown contributed to the demise of the Soviet system.
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Series: Panels and Discussions
How do we make sense of the destruction of the 20th century? In East West Street, Philippe Sands set out to understand the role law played in processing the horrors of the Holocaust by tracing the lives of three lawyers involved in the development of “genocide” and “crimes against humanity”: two studied law in post-WWI and interwar Lemberg/Lwów/Lviv, and were Polish Jews, and the third was a defendant at Nuremberg who they prosecuted. Sands highlights the entanglement of personal biographies, political contexts, and intellectual genealogies and their echoes in the international response to Nazi crimes. The relationship between the individual and the group, and catastrophe, is also at the heart of Serhii Plokhii’s Chernobyl, which elucidates the environmental and human consequences of a dual systems failure: political as well as scientific. He shows how individual scientists and bureaucrats worked within, perpetuated, and grappled with a fatally flawed Soviet institutional structure – and how the Chernobyl meltdown contributed to the demise of the Soviet system.
Read more
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IWM at the Leipzig Book Fair: Ukrainian Writers at War
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Panels and Discussions
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Artem ChapeyeKatherine Younger
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Series: Panels and Discussions
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Series: Panels and Discussions
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Junior Visiting Fellows’ Conference Summer 2021
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Conferences and Workshops
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Ayşe ÇağlarEzgican ÖzdemirIryna SklokinaJan VanaJul TirlerKatherine YoungerLudger HagedornMarci ShoreMariia HupaloMykhailo MartynenkoGabriela VicanovaKrystof DolezalRosario Forlenza, Dagmar Fink, Oley Kindiy, Costas Constantinou, Sina Farzin
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Series: Conferences and Workshops
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Series: Conferences and Workshops
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Junior Visiting Fellows’ Conference Winter 2021
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Conferences and Workshops
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Ayşe ÇağlarFilip MilačićFrantiška SchormováGeoffrey AungGiorgia DonàJeremy AdelmanKatherine YoungerMallika LeuzingerOksana KlymenkoPavel HorákRuzha SmilovaSebastian HaugTeresa BaronVictoria FominaDoğuş ŞimşekStefan Segi, Julian Strube
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Series: Conferences and Workshops
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Series: Conferences and Workshops
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Legacies of Silenced Atrocities: Lessons from Holodomor
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Seminars and Colloquia
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Karolina KoziuraKatherine YoungerLudger Hagedorn
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Liberty after Liberalism: Emancipatory Struggles in Ukrainian Journalism, 1998-2021
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Lecture
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Katherine YoungerMary KaldorTaras FedirkoTimothy Snyder
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Series: Lecture
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Series: Lecture
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Limits and Divisions of Human Histories
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Lecture
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Andrzej NowakKatherine YoungerLudger Hagedorn
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Series: Lecture
The theory of history, as presented by Reinhart Koselleck (1923-2006), offers an intellectually tempting structure of three anthropological distinctions that prescribe figures of all possible histories (individual and collective): sooner or later, inside and outside, above and below. The first one signifies the span between being born and having to die, which makes every life unique and at the same time part of a particular generational experience. It could also be rendered as “old” and “new”. Uses of the second pair might be analysed as a contrast between public and private, or as a contemporary fear stemming from the contrast between “home” and “intruders”. The third pair Andrzej Nowak will try to “translate” not just in “master” and “slave” categories, but rather as “pupil” and “teacher”, or even “therapist” and “patient”. Nowak will try to read Koselleck’s structure in a perspective offered by spatial/temporal concepts of contemporary “Europe in progress” (or “Europe in crisis”), as well as in another, non-political perspective of esthetic renditions of the three above mentioned Koselleck’s abstract pairs ¬ in Andrzej Wajda’s “Birchwood” movie, the last scene of Richard Strauss’s “Rosenkavalier”, and in Philip Larkin’s poem: “An Arundel Tomb”. The question is whether love can be included into these conflicting pairs as a possible factor transcending their structures?
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Series: Lecture
The theory of history, as presented by Reinhart Koselleck (1923-2006), offers an intellectually tempting structure of three anthropological distinctions that prescribe figures of all possible histories (individual and collective): sooner or later, inside and outside, above and below. The first one signifies the span between being born and having to die, which makes every life unique and at the same time part of a particular generational experience. It could also be rendered as “old” and “new”. Uses of the second pair might be analysed as a contrast between public and private, or as a contemporary fear stemming from the contrast between “home” and “intruders”. The third pair Andrzej Nowak will try to “translate” not just in “master” and “slave” categories, but rather as “pupil” and “teacher”, or even “therapist” and “patient”. Nowak will try to read Koselleck’s structure in a perspective offered by spatial/temporal concepts of contemporary “Europe in progress” (or “Europe in crisis”), as well as in another, non-political perspective of esthetic renditions of the three above mentioned Koselleck’s abstract pairs ¬ in Andrzej Wajda’s “Birchwood” movie, the last scene of Richard Strauss’s “Rosenkavalier”, and in Philip Larkin’s poem: “An Arundel Tomb”. The question is whether love can be included into these conflicting pairs as a possible factor transcending their structures?
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Maria Winowska and the Search for a Modern (but Illiberal) Central and Eastern Europe
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Cancelled
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Katherine YoungerPiotr Kosicki
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Series: Cancelled
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Series: Cancelled
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No End to History
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Lecture
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Katherine YoungerSerhii Plokhii
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Series: Lecture
Thirty years ago, the world lived through one of the most optimistic moments of the 20th century. Communism—and the Soviet Union with it—had collapsed, the Cold War had come to an end, and democracy was on the rise around the globe. We are now in probably the grimmest moment since the start of the 21st century. The Cold War is making its way back, hot war has returned to the geographic center of Europe, and democracy is facing the most profound challenges since the end of World War II. Nowhere were the expectations for the arrival of a new era so high, and nowhere did they crash with such tragic consequences, as in the former Soviet space. Looking back, we see that 1991 did not mark the end of history, either as the ideological evolution of humankind or as a scholarly discipline that has documented the lengthy and painful disintegration of most of the world’s empires. What we see today is the continuing process of the disintegration of the USSR, complete with efforts to establish spheres of influence, border disputes, and open warfare. We also see Russia’s return to the international scene as it attempts to claim the role of not only a regional but also a global power, akin to the role played by the Russian Empire and the Soviet Union. In this lecture Serhii Plokhii will discuss the developments of the last thirty years in the lands that once belonged to the USSR, bringing history in to explain the most recent developments in the region.
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Series: Lecture
Thirty years ago, the world lived through one of the most optimistic moments of the 20th century. Communism—and the Soviet Union with it—had collapsed, the Cold War had come to an end, and democracy was on the rise around the globe. We are now in probably the grimmest moment since the start of the 21st century. The Cold War is making its way back, hot war has returned to the geographic center of Europe, and democracy is facing the most profound challenges since the end of World War II. Nowhere were the expectations for the arrival of a new era so high, and nowhere did they crash with such tragic consequences, as in the former Soviet space. Looking back, we see that 1991 did not mark the end of history, either as the ideological evolution of humankind or as a scholarly discipline that has documented the lengthy and painful disintegration of most of the world’s empires. What we see today is the continuing process of the disintegration of the USSR, complete with efforts to establish spheres of influence, border disputes, and open warfare. We also see Russia’s return to the international scene as it attempts to claim the role of not only a regional but also a global power, akin to the role played by the Russian Empire and the Soviet Union. In this lecture Serhii Plokhii will discuss the developments of the last thirty years in the lands that once belonged to the USSR, bringing history in to explain the most recent developments in the region.
Read more
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