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Belarus: A Land that Rests on Three “Whales”
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Seminars and Colloquia
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Andriej MoskwinClemena AntonovaDessislava Gavrilova-Krasteva
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Berdyaev and the Russian Idea
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Seminars and Colloquia
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Clemena AntonovaGeorge Pattison
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Bringing Beauty into Life: How Soviet Workers Discovered Aesthetics after Stalin
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Seminars and Colloquia
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Clemena AntonovaSerguei OushakineFranz Graf
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Byzantium and the Origins of Eurasia
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Conferences and Workshops
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Alexey LidovClemena AntonovaSergey IvanovValentina IzmirlievaEndre Sashalmi, Ivan Foletti, Ivan Christov, Vladimir Cvetković
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Series: Conferences and Workshops
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Series: Conferences and Workshops
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Czernowitz as a Cultural Palimpsest
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Seminars and Colloquia
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Clemena AntonovaIgor Pomerantsev
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Decolonial Desires: Thinking through Discipline and Difference
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Seminars and Colloquia
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Clemena AntonovaSaurabh DubeJulian Strube
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Europe and Russia After the Liberal World Order
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Seminars and Colloquia
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Clemena AntonovaIvan KrastevTimofei Bordachev
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Hagia Sophia as Symbol and Hostage of Actual Politics
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Seminars and Colloquia
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Alexey LidovAyşe ÇağlarClemena Antonova
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Series: Seminars and Colloquia
On 10 July 2020, by a decree of the Turkish president Recep Tayyip Erdoğan, the basilica of Hagia Sophia – the central monument of the Byzantine Empire and the entire Orthodox world – was turned from a museum into a mosque. The conversion attracted worldwide attention and the leaders of the US, the EU and Russia, as well as most international institutions, appealed to Erdoğan not to go ahead with the plan. However, all the warnings were ignored and the first festive Muslim service was held on 24 July, with the country’s leadership in attendance. In this talk, various aspects of the conversion of Hagia Sophia, including political, religious, cultural and art-historical issues of this most significant event, were discussed.
Read more
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Series: Seminars and Colloquia
On 10 July 2020, by a decree of the Turkish president Recep Tayyip Erdoğan, the basilica of Hagia Sophia – the central monument of the Byzantine Empire and the entire Orthodox world – was turned from a museum into a mosque. The conversion attracted worldwide attention and the leaders of the US, the EU and Russia, as well as most international institutions, appealed to Erdoğan not to go ahead with the plan. However, all the warnings were ignored and the first festive Muslim service was held on 24 July, with the country’s leadership in attendance. In this talk, various aspects of the conversion of Hagia Sophia, including political, religious, cultural and art-historical issues of this most significant event, were discussed.
Read more
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Liberalism Challenged: Debating the Causes That Weaken Liberalism, and Illiberalism’s Amplifying Feedback Loop Effect
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Seminars and Colloquia
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Clemena AntonovaMarlene LaruelleYavor Siderov
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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One World? Or How Many? Haruki Murakami as a Global Author
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Seminars and Colloquia
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Clemena AntonovaIrmela Hijiya-Kirschnereit
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Series: Seminars and Colloquia
The aim of this talk was to look behind the scenes and to explore the mechanisms of the creation of Haruki Murakami’s global stature. To what extent are they based on his writing, his particular topics, style, and other issues of “content”? Other aspects are worth noting, such as translation policy, marketing, and the creation of a certain authorial image. While we can, for instance, speculate about the role of the international prizes that help to determine and systematically expand his profile as a global author, the author’s own agency is not easy to discern. The talk shed light on some of these aspects, in particular on the role of (American) English and of translation in general, leading to surprising, if not upsetting conclusions.
Read more
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Series: Seminars and Colloquia
The aim of this talk was to look behind the scenes and to explore the mechanisms of the creation of Haruki Murakami’s global stature. To what extent are they based on his writing, his particular topics, style, and other issues of “content”? Other aspects are worth noting, such as translation policy, marketing, and the creation of a certain authorial image. While we can, for instance, speculate about the role of the international prizes that help to determine and systematically expand his profile as a global author, the author’s own agency is not easy to discern. The talk shed light on some of these aspects, in particular on the role of (American) English and of translation in general, leading to surprising, if not upsetting conclusions.
Read more
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