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Philosophische Miniaturen
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Visual and Performing Arts
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Jan FreiLudger HagedornMichaela AdelbergerJakob Rendl
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Series: Visual and Performing Arts
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Series: Visual and Performing Arts
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Krzysztof Michalski In Memoriam
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Social and Networking Events
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Agnieszka PasiekaJames DoddKlaus NellenMarci ShorePiotr KubasiakTimothy SnyderLudger HagedornMonika Szmigiel-Turlej
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Series: Social and Networking Events
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Series: Social and Networking Events
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Ukraine and the Borders of Europe
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Seminars and Colloquia
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Katherine YoungerLudger HagedornVolodymyr Yermolenko
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Das Leben Passiert Nicht Außerhalb der Geschichte
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Seminars and Colloquia
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Radka DenemarkováLudger Hagedorn
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Belarusian Protests: In Search of Democracy, or the Restructuring of State Institutions
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Seminars and Colloquia
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Ludger HagedornMarci ShorePavel Barkouski
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Facing Post-Truth in Central-Eastern Europe
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Seminars and Colloquia
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Arvydas GrišinasLudger Hagedorn
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Series: Seminars and Colloquia
The main challenge that post-truth poses, as the concept itself suggests, is the alleged end of centrality of the idea of truth in politics. Central and Eastern Europe finds itself in a political culture where claims, ideas and utterances must no longer necessarily be grounded in proven empirical facts, in order to be held true by the broader public. This situation, however, is by no means new or unheard of. In this regard, it resembles Soviet social reality, where officially held narratives also had scant empirical grounding. Furthermore, while it were Central-Eastern European dissidents who problematized these issues and set out to successfully counter them, resulting in the events of 1989, the same dissident heritage is also used nowadays to promote agendas of populist illiberal regimes in the region. The talk explored the prospects and challenges to utilizing the dissident heritage to tackling these contemporary issues.
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Series: Seminars and Colloquia
The main challenge that post-truth poses, as the concept itself suggests, is the alleged end of centrality of the idea of truth in politics. Central and Eastern Europe finds itself in a political culture where claims, ideas and utterances must no longer necessarily be grounded in proven empirical facts, in order to be held true by the broader public. This situation, however, is by no means new or unheard of. In this regard, it resembles Soviet social reality, where officially held narratives also had scant empirical grounding. Furthermore, while it were Central-Eastern European dissidents who problematized these issues and set out to successfully counter them, resulting in the events of 1989, the same dissident heritage is also used nowadays to promote agendas of populist illiberal regimes in the region. The talk explored the prospects and challenges to utilizing the dissident heritage to tackling these contemporary issues.
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Whose Story? Which Sacrifice?
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Seminars and Colloquia
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Ludger HagedornMarci Shore
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Parrhesia and the Care of the Self: Foucault, Patočka, and Dissident Praxis
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Seminars and Colloquia
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Darren GardnerLudger Hagedorn
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The “Sunny” Side Of The Holocaust. Dr. Endre Szántó’s Photo Album From His Forced Labour Service, 1940
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Seminars and Colloquia
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András LénártLudger HagedornIngo Zechner
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The Importance of Being Funny
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Seminars and Colloquia
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Ludger HagedornMila Ganeva
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Series: Seminars and Colloquia
This talk was part of a book project on the cultural history of Jewish artistic presence in German-speaking cabaret and film in the 1920s, 30s, and 40s. (During her fellowship at the IWM, Mila Ganeva was researching materials at the Austrian Exile Archive at ÖNB and the Österreichisches Kabarettarchiv in Graz.) In this presentation for the colloquium, she focused on a representative figure of cabaret and film, the German-Jewish comedian Siegfried Arno. Arno, who was labeled by contemporaries “our Buster Keaton”, was enormously successful on both the cabaret stage and the silver screen. In the 1920s, Arno and many of his colleagues were also at the centre of the so-called “cabaret wars”, as they were accused (and often sued) by the Centralverein of the German Citizens of the Jewish Faith of excessive use of Jewish jokes and fuelling antisemitism. The presentation reviewed Arno’s role in the very public debate about Jews in cabaret and film, and explored some of his actual performances in films as well as on the stage of the Kabarett der Komiker.
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Series: Seminars and Colloquia
This talk was part of a book project on the cultural history of Jewish artistic presence in German-speaking cabaret and film in the 1920s, 30s, and 40s. (During her fellowship at the IWM, Mila Ganeva was researching materials at the Austrian Exile Archive at ÖNB and the Österreichisches Kabarettarchiv in Graz.) In this presentation for the colloquium, she focused on a representative figure of cabaret and film, the German-Jewish comedian Siegfried Arno. Arno, who was labeled by contemporaries “our Buster Keaton”, was enormously successful on both the cabaret stage and the silver screen. In the 1920s, Arno and many of his colleagues were also at the centre of the so-called “cabaret wars”, as they were accused (and often sued) by the Centralverein of the German Citizens of the Jewish Faith of excessive use of Jewish jokes and fuelling antisemitism. The presentation reviewed Arno’s role in the very public debate about Jews in cabaret and film, and explored some of his actual performances in films as well as on the stage of the Kabarett der Komiker.
Read more
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