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The Death and Rebirth of Democratic Internationalism: Controversies and Possibilities
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Lecture
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Claus OffeLudger HagedornMicheline Ishay
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Series: Lecture
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Series: Lecture
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The Declaration of Universal Human Rights at Seventy-Five
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Seminars and Colloquia
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Adam SitzeLudger HagedornMartin Krygier
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The Future of Work
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Panels and Discussions
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Ludger HagedornRobert SkidelskyMichal Pechoucek
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Series: Panels and Discussions
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Series: Panels and Discussions
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The Imperfect Is Our Paradise
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Seminars and Colloquia
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Ludger HagedornJohn Palattella
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The Importance of Being Funny
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Seminars and Colloquia
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Ludger HagedornMila Ganeva
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Series: Seminars and Colloquia
This talk was part of a book project on the cultural history of Jewish artistic presence in German-speaking cabaret and film in the 1920s, 30s, and 40s. (During her fellowship at the IWM, Mila Ganeva was researching materials at the Austrian Exile Archive at ÖNB and the Österreichisches Kabarettarchiv in Graz.) In this presentation for the colloquium, she focused on a representative figure of cabaret and film, the German-Jewish comedian Siegfried Arno. Arno, who was labeled by contemporaries “our Buster Keaton”, was enormously successful on both the cabaret stage and the silver screen. In the 1920s, Arno and many of his colleagues were also at the centre of the so-called “cabaret wars”, as they were accused (and often sued) by the Centralverein of the German Citizens of the Jewish Faith of excessive use of Jewish jokes and fuelling antisemitism. The presentation reviewed Arno’s role in the very public debate about Jews in cabaret and film, and explored some of his actual performances in films as well as on the stage of the Kabarett der Komiker.
Read more
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Series: Seminars and Colloquia
This talk was part of a book project on the cultural history of Jewish artistic presence in German-speaking cabaret and film in the 1920s, 30s, and 40s. (During her fellowship at the IWM, Mila Ganeva was researching materials at the Austrian Exile Archive at ÖNB and the Österreichisches Kabarettarchiv in Graz.) In this presentation for the colloquium, she focused on a representative figure of cabaret and film, the German-Jewish comedian Siegfried Arno. Arno, who was labeled by contemporaries “our Buster Keaton”, was enormously successful on both the cabaret stage and the silver screen. In the 1920s, Arno and many of his colleagues were also at the centre of the so-called “cabaret wars”, as they were accused (and often sued) by the Centralverein of the German Citizens of the Jewish Faith of excessive use of Jewish jokes and fuelling antisemitism. The presentation reviewed Arno’s role in the very public debate about Jews in cabaret and film, and explored some of his actual performances in films as well as on the stage of the Kabarett der Komiker.
Read more
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The Impossibility of Politics: Brecht, Manto and Two Itinerant Situations
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Lecture
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Ludger HagedornRanabir Samaddar
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Series: Lecture
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Series: Lecture
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The One That Got Away / Everyday Life During Armed Conflicts
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Seminars and Colloquia
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Dimiter KenarovKeith KrauseLudger HagedornPaweł PieniążekSoli Özel
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The Remains of the Real
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Seminars and Colloquia
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Jan SowaLudger Hagedorn
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The Sociological Truth of Fiction
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Seminars and Colloquia
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Jan VanaKapka KassabovaLudger Hagedorn
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The ‘Authoritarian International’
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Seminars and Colloquia
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Ludger HagedornMartin KrygierRicardo Pagliuso Regatieri
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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