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The Future of War
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Lecture
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Rosa Brooks
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Speakers: Rosa Brooks
Series: Lecture
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Speakers: Rosa Brooks
Series: Lecture
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The Future of War
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Lecture
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Rosa Brooks
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Speakers: Rosa Brooks
Series: Lecture
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Speakers: Rosa Brooks
Series: Lecture
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The Future of Work
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Panels and Discussions
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Ludger HagedornRobert SkidelskyMichal Pechoucek
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Series: Panels and Discussions
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Series: Panels and Discussions
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The Future of Work: Is Artificial Intelligence a New Road to Serfdom?
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Lecture
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Robert Skidelsky
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Series: Lecture
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Series: Lecture
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The German Elections and Europe's Future
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Panels and Discussions
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Ivan VejvodaOlivia LazardValbona ZeneliZoran NechevRoderick Parkes
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Series: Panels and Discussions
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Series: Panels and Discussions
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The Global South and the Future of World Order
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Lecture
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Philipp BlomOliver Stuenkel
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Series: Lecture
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Series: Lecture
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The Hijack
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Panels and Discussions
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Ivan KrastevMarci ShoreSlawomir SierakowskiTimothy SnyderViktoras BachmetjevasFiona Hill, Martin Malek, Francois Heisbourg
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Series: Panels and Discussions
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Series: Panels and Discussions
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The Idea of Europe
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Festivals
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Misha GlennyVolodymyr Yermolenko, Philippe Sands, Tetyana Oharkova
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Speakers: Misha GlennyVolodymyr Yermolenko, Philippe Sands, Tetyana Oharkova
Series: Festivals
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Speakers: Misha GlennyVolodymyr Yermolenko, Philippe Sands, Tetyana Oharkova
Series: Festivals
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The Imperfect Is Our Paradise
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Seminars and Colloquia
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Ludger HagedornJohn Palattella
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Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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The Importance of Being Funny
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Seminars and Colloquia
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Ludger HagedornMila Ganeva
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Series: Seminars and Colloquia
This talk was part of a book project on the cultural history of Jewish artistic presence in German-speaking cabaret and film in the 1920s, 30s, and 40s. (During her fellowship at the IWM, Mila Ganeva was researching materials at the Austrian Exile Archive at ÖNB and the Österreichisches Kabarettarchiv in Graz.) In this presentation for the colloquium, she focused on a representative figure of cabaret and film, the German-Jewish comedian Siegfried Arno. Arno, who was labeled by contemporaries “our Buster Keaton”, was enormously successful on both the cabaret stage and the silver screen. In the 1920s, Arno and many of his colleagues were also at the centre of the so-called “cabaret wars”, as they were accused (and often sued) by the Centralverein of the German Citizens of the Jewish Faith of excessive use of Jewish jokes and fuelling antisemitism. The presentation reviewed Arno’s role in the very public debate about Jews in cabaret and film, and explored some of his actual performances in films as well as on the stage of the Kabarett der Komiker.
Read more
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Series: Seminars and Colloquia
This talk was part of a book project on the cultural history of Jewish artistic presence in German-speaking cabaret and film in the 1920s, 30s, and 40s. (During her fellowship at the IWM, Mila Ganeva was researching materials at the Austrian Exile Archive at ÖNB and the Österreichisches Kabarettarchiv in Graz.) In this presentation for the colloquium, she focused on a representative figure of cabaret and film, the German-Jewish comedian Siegfried Arno. Arno, who was labeled by contemporaries “our Buster Keaton”, was enormously successful on both the cabaret stage and the silver screen. In the 1920s, Arno and many of his colleagues were also at the centre of the so-called “cabaret wars”, as they were accused (and often sued) by the Centralverein of the German Citizens of the Jewish Faith of excessive use of Jewish jokes and fuelling antisemitism. The presentation reviewed Arno’s role in the very public debate about Jews in cabaret and film, and explored some of his actual performances in films as well as on the stage of the Kabarett der Komiker.
Read more
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