IWM Film Retrospective 2014
Curated by Izabela Kalinowska-Blackwood and Oksana Sarkisova
In the Fog (V tumane)
(Sergei Loznitsa, Germany / Latvia / Russia / The Netherlands / Belarus, 2012, 128 min, OmU)
Western frontiers of the USSR, 1942. The region is under German occupation, and local partisans are fighting a brutal resistance campaign. A train is derailed not far from the village, where Sushenya, a rail worker, lives with his family. Innocent Sushenya is arrested with a group of saboteurs, but the German officer makes a decision not to hang him with the others and sets him free. Rumours of Sushenya’s treason spread quickly, and partisans Burov and Voitik arrive from the forest to get revenge. As the partisans lead their victim through the forest, they are ambushed, and Sushenya finds himself one-to-one with his wounded enemy. Deep in an ancient forest, where there are neither friends nor enemies, and where the line between treason and heroism disappears, Sushenya is forced to make a moral choice under immoral circumstances.
Followed by a discussion with:
Izabela Kalinowska-Blackwood is Associate Professor of Comparative Slavic Studies. Her Research interests include Polish and Soviet/Russian cinemas, gendered notions of identity, nationalism, and colonial and post-colonial studies.
Oksana Sarkisova is Associate Research Fellow at the Open Society Archive and the Department of Legal Studies, Central European University, Budapest. Since 2004 she is Program Director of the annual Verzio International Documentary Human Rights Film Festival in Budapest.
Timothy Snyder is the Bird White Housum Professor of History at Yale University and Permanent Fellow of the Institute for Human Sciences. His most recent book is Bloodlands: Europe between Hitler and Stalin.
Entrance fee: 5 Euros
21er Haus, Schweizergarten, Arsenalstraße 1, 1030 Wien
Film Retrospective – Program
Official cultural policy in socialist Eastern Europe defined film as the principal cultural form for shaping the consciousness of the masses. Yet the implementation of ideological demands for an overt politicization of the cinematic image during the socialist period turned out to be a double-edged sword, as filmmakers increasingly appropriated moving images to express dissenting political sentiments. After the change of the regime changess in Eastern Europe in 1989, the countries in the region had to re-evaluate their ideological heritage and give a new reading to the contested legacy of the 20th century. Filmmakers throughout the post-socialist space have engaged in re-examining the past by focusing on issues of identity and otherness, and exploring the mechanisms of control and resistance. This series of film screenings and subsequent discussions offers insights into a variety of ways in which the recent past continues to be revisited and relevant for to the present.
Monday, May 12, 6:00pm
The Dark House (Dom zły)
Director: Wojciech Smarzowski (Poland, 2009, 105 minutes)
Monday, May 19, 6:00pm
All That I Love (Wszystko co kocham)
Director: Jacek Borcuch (Poland, 2009, 91 minutes, OmU)
Monday, May 26, 6:00pm
S.P.A.R.T.A – Territory of Happiness (S.P.A.R.T.A. – Territoria Schastia)
Director: Anna Moiseenko (2013, Russia, 56 minutes, OmU)
Director: Askold Kurov (Russia / Germany / The Netherlands, 2013, 52 minutes, OmU)